Publications

Commissioned publications featuring work by Pete Clarke.

'Constructed Views', Paintings by Pete Clarke, catalogue essay David Campbell, Rochdale Art Gallery 1984.

'Working Images', Liverpool Artists Workshop, 1985.

'Human Interest, 50 Years of British Art', Norbert Lynton, Cornerhouse Publications 1985.

'Urban Views', Turnpike Gallery, 1986.

'Connections', Cornerhouse Publications 1986, ISBN 09-48-797-029.

'Depicting History for Today', Published by Sheffield Arts Department and Leeds City Art Gallery 1987, ISBN 0901981-34-6.

'State of the Nation', Sarah Selwood, 1987.

'Now for the Future, Arts Council Acquisitions 1984-1988', AC 5479, Published by the Arts Council of GB! South Bank Centre, ISBN 1-85332-049-8, Preface by Peter Palumbo.

'Letters to Language', Paintings by Pete Clarke, 'In Praise of Slow Communication', commissioned essay by Sean, Cubitt, Cornerhouse Publications 1996, ISBN 0-948797-38-X.

'Paintings and Moments', Paintings of the City by Pete Clarke, commissioned essay by Pam Meecham, Published by University of Liverpool 1998.

'Eight days a week', KaIn/Liverpool Artists' Edition Newspapers 1998 & 2000, Editors Bryan Biggs, Liverpool and Jurgen Kisters, Koln.

'Collaborations', A project by Pete Clarke & Georg Gartz, catalogue essays by Bryan Biggs, Bluecoat Gallery, Liverpool and Jurgen Kisters, KOlner Stadt Enzeiger, KöIn, [ci 2000 bei den Künstlern und den Autoren.

Modern Art: A Critical Introduction'- Pam Meecham & Julie Sheldon, Routledge Books 2000, advisor for media and cultural studies, ISBN 0-415-17235-7.

'Unheimlich', Static Publications 2001.

'Unheimlich', Commissioned essay [A-N] For Artists, September 2001.

'Teach the children nothing but facts', Catalogue essay Lubaina Himid, Lavatoio Contumaciale, Rome, 2001.

'Liverpool Biennial', Commissioned essay [A-N] For Artists, September 2002.

'Internationale Kunstausstellung', Simonskall, www.hoehenart.kulturserver.de 2003.

'A-N for artists', Guest preview & commissioned essay writer for August Edition 2004.

'The Treasures of Liverpool', Five Arts Cities, Channel Five & Arts Council of England, Published by FiveArts 2004, ISBN 0-9544208-3-7.

'Interface 2: Artists working in Collaboration', Exhibition catalogue, contributor of introductory text and co-editor (with Morris N.), 2004.

'Von Zufalligen Linien und Rotlichen Flecken', Exhibition catalogue, contributor of introductory text, exhibitor and co-editor (with Morris N.), ISBN 0-9547306-1-5.

'Crash', Exhibition catalogue with an introduction by the Lord Mayor of Cologne, editor, curator and exhibitor 2004.

'Malerei aus Liverpool', Exhibition catalogue, author of introductory text, curator, exhibitor
and co-editor (with Morris N.) 2004.

'A-N for artists', Past Modern, Amrit and Rabindra Singh, Walker Art Gallery, Liverpool, commissioned review 2005.

'Belonging and Beyond', Collaborative Installation', Commissioned catalogue essay, Catholic Cathedral, Liverpool 2005.

'Eight Days A Week: Liverpool/Cologne a Cultural Exchange', Refereed conference paper presentation 'Developments in contemporary printmaking, Liverpool/Köln cultural exchange Project', at Kontakt, Impact 4, International Printmaking Conference, Universitat der Kunst, Berlin and Kunst Akademie, Poznan, Poland published by the University of Tennessee2005. Conference Website: web. utk.edu/-imprint.

'Eight Days A Week: artistic strategies within a devolving centre', Invited conference speaker, 6th International Conference on Diversity in Organisations, Communities and Nations, Xavier University (Sheraton Hotel), New Orleans, USA 2006.

'In Exposed Areas', Exhibition catalogue with critical essays by Dr. Martin Turck and Philip Wroe, curator, exhibitor and co-editor ((with Morris N.) ISBN 0-9552820-1-2.'

Eight Days A Week' 3rd edition newspaper, ISBN 0-9552820-4-7, 978-0-9552820-4-1 October 2006, Pete Clarke was newspaper editor launched as part of Independents, Biennial Liverpool. He chaired the artists' forum and gave a contextual introduction to lead the discussion.

Recent Lectures / Conferences:
‘Eight days a week’ Liverpool Town Hall, 2000.
‘American abstraction’, Tate Gallery, Liverpoo,l 2001.
‘Formal Situations’, Tate Gallery, Liverpool, 2003.
‘Michel Majerus Pop Reloaded’, Tate Gallery, Liverpool, 2004.
‘Rhinegold – Liverpool& Cologne’, Tate Gallery, Liverpool, 2004.
‘In Conversation with Mark Wallinger’, Tate Gallery, Liverpool, 2005
‘Impact/ Kontakt’, Printmaking Conference, Berlin & Poznan, Poland, 2005.